1,348 Royalty-Free Audio Tracks for "Synthetic Tones"

Variable beat metronome.

A synthesized snare sample.

This is a harshly manipulated file of rumbling that has been tweaked to the max by plug-ins and various noise making enhancers meant to simulate the sound of impacting. This, combined with the gentle rumble to accentuate.

Made in fl studio a long time ago.

Clothpass for anyone with synthetic fibers. There is also a cape included.

Long synth delay with a little white noise and crackle. Created with an excellent sound generator.

Random sound created with an excellent sound generator.

Random sound created with an excellent sound generator.

Variations of a sound made with a doepfer.

Synthetic scratching noises, short and reasonably dry.

Kind of laser ray.

This is the sound of a plastic wrapping.

Wind in stereo. Made with vcv rack 2.

A sound i made using serum synth.

Sample for my class.

A simple melody that sounds like an electric guitar.

A submarine sonar ping. Made with love in vcv rack. Flac 24bits 48khz. This is roughly a c6 if it can help you.

3 notes.

For things that require a robotic synthetic voice for the effect.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

This sample is all synthetic. It is a low rumble.

This is the sound of silica gel (at least i think it is; it's a type of sand grains from the cat's litter bin, and the small crystal like rocks are supposedly silica gel) in water. Recorded with a hydrophone (aquarian audio h2a) into a zoom h4n.

A test with espeak and audacity, from https://www. Freesound. Org/forum/sample-requests/39874/.

Recording from a fork crashing in a metal pan. Looped, distorted and equalized.

Made this sound myself with some visual basic programming. I used it as a ring tone to tell me i have a message. It is a burst of a rtty-like sound. You may want to trim the silent tail.

This is an atmosphere that i had recorded and i used it on a techno track.

Synthesizer: fruity dx10. Pitch: c6.

Synthesizer: sytrus. Pitch: c6.

High-pitched bell ring with some vibration.

Glitchy synthetic loop with ambiance.

Reaperrecord at 44100 hz16 bits.

From hark sound pack.

Flanged brown noise fades in slowly and passes with doppler.

Simple uplifting sound, made on a rainy sunday. Try to use it in my trance music production.

This is my improvisation, with midi-keyboard, you can use it with out my permission and you don`t have mention my name.

2 seconds long. Consists of sine waves alternating betweenaround 120 hz and 300 hz with 4 harmonics. At two times an added noise appears whichsounds like a brush. Mono, sampling rate 44100 hz.

A clothpass of someone wearing spandex, leather, and synthetic fibers.

Sound created by random tone frequencies and some voice samples.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

Version of alarm number one looped four times. See alarm number one. Created with: audacityformat: ogg vorbislicense: cc0 (attribution is encouraged, but not required).

Please understand, it's not a real tom drum.

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

Sounds for sound-design.

Sounds for sound-design.